When I told Strong that I, too, thought of the show as a dark comedy, he looked at me with incomprehension and asked, “In the sense that, like, Chekhov is comedy?” No, I said, in the sense that it’s funny. “That’s exactly why we cast Jeremy in that role,” McKay told me. “Because he’s not playing it like a comedy. He’s playing it like he’s Hamlet.”
On “Succession,” Jeremy Strong Doesn’t Get the Joke
Michael Schulman | The New Yorker | December 5, 2021 | 6,932 words