“Wes starring in films that have nothing to do with Native American heritage is something we acutely desire: to be allowed to play parts without having to authenticate our realness as Indians.”
film
Posted inEditor's Pick
The End of the Road
“Living in a van represented a new, glamorous ideal, unburdened from homeownership and a steady job — unmoored, even, from the physical world itself. If owning a home was no longer possible, there was endless space on Instagram.”
Posted inEditor's Pick
Youn Yuh-jung Comes to America
“On the set of Minari, she was an old Korean lady.” E. Alex Jung interviews Oscar nominee Youn Yuh-jung.
Posted inEditor's Pick
Il Maestro
Martin Scorsese on “content,” the films of Federico Fellini, and the art of cinema.
Posted inArts & Culture, Culture, Highlight, Quote Posts, Quotes
‘We Told You So’: Revisiting the Bleak, Pandemic-Filled World of 12 Monkeys, 25 Years Later
“Gilliam does believe that the end of society may soon be upon us. The question for him is: What shape will the new one take?”
Posted inEditor's Pick
A Plague of Madness
Terry Gilliam’s 1995 film 12 Monkeys showed us a bleak future, one in which a virus had wiped out most of humankind. Twenty-five years on, the film’s creators revisit their visionary film.
Posted inNonfiction
So Much More Than Enough
My favorite director, Lynn Shelton, died suddenly this month at the age of 54. Did the spirit of indie filmmaking go with her?
Posted inArts & Culture, Books, Commentary
This Week in Books: A B-Movie Storytelling Moment
Give me a Bolaño novel that starts with a guy walking into a bar, and then another guy starts telling him a story, and the rest of that novel is just the second guy telling that story.
Posted inEssays & Criticism, Feature, Nonfiction, Quotes, Story
Thumbing a Ride: What I Learned from Siskel and Ebert
Dipti S. Barot pays homage to the two irreplaceable voices who informed her love of good movies.