“But success, as we’re obliged to say in the personal-profiles business, has come at a price—bouts of depression, a heart attack, a rotating cast of therapists, a tortured relationship with his mother, and a bitter breakup with his former creative partner Will Ferrell. As it turns out, every movie is the most personal movie Adam McKay’s ever made—until it’s over and he moves on to the most personal movie he’d ever made. On one level, it’s the nature of his art—locating the pulse of the zeitgeist and making entertainment from it before the zeitgeist moves on. And McKay is nothing if not a topical writer and director. But it begs a question: How does Adam McKay move on from a movie about the end of the world?”
“Who the Fuck Cares About Adam McKay?” (We Do, and With Good Reason)
Joe Hagan | Vanity Fair | November 29, 2021 | 6,522 words