It’s clear we love the Dead Girl, enough to rehash and reproduce her story, to kill her again and again. But not enough to see a pattern.
Criticism
It’s Never Too Late to Apologize
Bari Weiss, Bret Stephens, and Katie Roiphe have to try to be better, right along with the rest of us.
The Louvre Abu Dhabi and the Ethical Enjoyment of Museums
In his review for the New York Times, Holland Cotter writes that the museum fails in “truth-telling.”
What Do We Do with the Art of Monstrous Men?
“We is an escape hatch. We is cheap. We is a way of simultaneously sloughing off personal responsibility and taking on the mantle of easy authority.”
‘Twin Peaks: The Return’ Has Made Traditional TV Recaps Obsolete
How do you talk about a weekly TV show that defies narrative order?
Before Becoming an Art Critic, Jerry Saltz Wanted to Draw 10,000 Dante-Inspired Altarpieces
On the project that almost drove Jerry Saltz into despair.
My Life As a Failed Artist
Jerry Saltz, New York‘s senior art critic, revisits his own short career as a Dante-obsessed artist in late-seventies Chicago.
Longreads Best of 2016: Essays & Criticism
We asked a few writers and editors to choose some of their favorite stories of the year in various categories. Here, the best in essays and criticism.
Longreads Best of 2015: Essays & Criticism
Story picks by Leslie Jamison, Jia Tolentino, Roxane Gay, Tom Scocca, Ann Friedman, Rachel Syme, Francesca Mari, Sari Botton, and Emily Perper.
How Karina Longworth Is Reimagining Classic Hollywood—and the Podcast—in ‘You Must Remember This’
“I have consciously tried to refocus my attention away from being a film critic and toward being a film historian.”