Sarah Aziza Archives - Longreads https://longreads.com/tag/sarah-aziza/ Longreads : The best longform stories on the web Tue, 16 Jan 2024 17:19:08 +0000 en-US hourly 1 https://longreads.com/wp-content/uploads/2017/01/longreads-logo-sm-rgb-150x150.png Sarah Aziza Archives - Longreads https://longreads.com/tag/sarah-aziza/ 32 32 211646052 The Work of the Witness https://longreads.com/2024/01/16/the-work-of-the-witness/ Tue, 16 Jan 2024 17:19:06 +0000 https://longreads.com/?p=202998 It has been three months since Israel began its devastating campaign of violence against Palestinians. The world has watched, day in and day out, as Israel has killed, displaced, and traumatized an entire people. In this essay, Palestinian writer Sarah Aziza considers what the act of bearing witness to unrelenting atrocity means:

As long as Palestinians are alive to record and share their suffering, the duty and dilemma of witness will remain. As we look, we must be aware that our outpouring of emotion has its limits, and its own dynamics of power. Grief and anger are appropriate, but we must take care not to veer into solipsism, erasing the primary pain by supplanting it with our own. As the Mojave poet Natalie Diaz has observed, empathy is “seeing or hearing about something that’s happened to someone and . . . imagin[ing] how I would feel if it happened to me. It has nothing to do with them.” Or, put more succinctly by Solmaz Sharif—“Empathy means / laying yourself down / in someone else’s chalk lines / and snapping a photo.”

Rather, we—those outside of Palestine, watching events through a screen—ought to think of ourselves in relation to the legacy of the shaheed. Our work as witnesses is to be marked; we should not leave it unscathed. We must make an effort to stay with what we see, allowing ourselves to be cut. This wound is essential. Into this wound, imagination may pour—not to invade the other’s subjectivity, but to awaken awe at the depth, privacy, and singularity of each life. There, we might glimpse, if sidelong, how much of Gaza’s suffering we will never know. This is where real witness must begin: in mystery.

Perhaps the fundamental work of witness is the act of faith—an ethical and imaginative leap beyond what we can see. It is a sober reverence of, and a commitment to fight for, the always-unknowable other. This commitment does not require constant stoking by grisly, tragic reports. Rather than a feeling, witness is a position. It insists on embodiment, on sacrifice, mourning and resisting what is seen. The world after genocide must not, cannot, be the same. The witness is the one who holds the line of reality, identifying and refusing the lie of normalcy. Broken by what we see, we become rupture incarnate.

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Doomsday Diaries https://longreads.com/2023/10/24/doomsday-diaries/ Tue, 24 Oct 2023 20:41:56 +0000 https://longreads.com/?p=194800 For The Baffler, Palestinian American writer Sarah Aziza publishes a series of dispatches and vignettes written in the week following the Hamas attacks on October 7. The piece includes snippets of conversations with her father and other family members in Gaza, as well as raw and powerful reflections.

 In the kitchen, my Jewish partner stands soberly over the stove, making food we will not taste. My father sighs. We flounder in complex grief.  

It is a sorrow lifetimes larger than words. One wide enough to acknowledge Jewish pain, both recent and historical. As a Palestinian, I refuse to mimic the oppressor by denying the humanity of the deceased. But this sadness sits inside the crater of certainty that the world will still refuse ours. It is a chasm carved by decades of discourse in which only certain bodies bleed. Inside this consensus, there is no violent dispossession of our land, no acceptable form in which we may resist our many slow and instant deaths. It refuses the fact that for decades we have buried hundreds of slain for every one Israeli killed. In this selective, Western gaze, there is only our barbarism, which must be brutally contained.

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